A TikTok clip maker that stops at the MP4

Word by word, with timings. The recording is transcribed to individual words with their own timestamps, and sentences are built from those. The times are used exactly as they arrive: rounding them to two decimals once opened a clip five milliseconds inside a word, so the caption read “Elon” while the audio said “lon”.

Thirty minutes at a time. The transcript is split into windows of about thirty minutes, read in parallel with three minutes of overlap, and the finalists from every window are ranked together at the end. A single pass over a two-hour recording anchors on what it read first and never picks from the back half.

Four scores, and the sentences behind them. Every candidate arrives with hook, flow, value and travel, the timecodes, and the passage it came from. An AI TikTok clip maker that hands you ten finished files and no reasoning is asking you to trust a ranking you were never shown.

Nothing renders until you say so. Keep, pass, or drag the in and out points. The intro is detected and excluded before anything is ranked, so the list is not spent on the part where you say your own name.

Three words at a time. The house look is white uppercase with a heavy black outline and the active word in yellow, scaled up as it is spoken. A page holds at most three words, and a new one starts whenever the speaker leaves a gap of about eight tenths of a second — the highlight follows the transcript, not a guessed cadence.

Measured against the real font. Pages are built by width, not by counting words: three short words and three long ones are not the same line. The glyphs are measured from the font file itself, including the overshoot of the pop on the active word, so a caption never wraps and never reaches the edge of the frame.

The line sits above the bottom edge, 360 pixels up in a 1920-tall frame, rather than on it.

One combination is not built. The other shipping style — the composite that puts the text behind the speaker, who is matted out and sits over the words — is written against the 1:1 box, and the full-frame version of it does not exist. Choosing 9:16 sets the captions to karaoke, and the options panel says so rather than letting a job fail twenty minutes in.

There is no TikTok integration. No account is connected, no token is asked for, and nothing is queued to go out. The clip is finished when the MP4 is in your library, and the next move is you downloading it and posting it yourself.

The calendar holds the date, not the upload. You can plan a clip onto a day and mark it published afterwards with the link. The one rule it enforces is one distinct clip a day: the same clip sent to TikTok, Reels and Shorts on a Tuesday is one Tuesday, not three, because it is one piece of content wearing three hats.

A video gets in as a file, or as a YouTube address. Upload an mp4, mov, mkv or webm, or paste a youtube.com or youtu.be address and it is fetched once on our side after you confirm the video is yours to use. Links are YouTube only, so re-cutting something that is already on TikTok means downloading your own copy and uploading that. There is no cap on how long a single video may be, on any paid plan — it simply spends credits by the minute; the free trial reads thirty minutes, once. How many links you may paste in a day is still a property of the plan, though — three on the trial, a hundred on Studio.