One recording, read once, cut into as many clips as it holds

The meter watches the minutes you feed it, not the clips you take back out — every plan includes far more exports than repurposing a single recording actually spends. Nothing is posted anywhere: the calendar holds a date, and the upload stays yours.

What repurposing one recording actually costs here

The four plans
1 credit
one minute of source analysed — the only thing the meter is actually watching
20/hour
rendered clips included per hour your plan buys, before one ever costs a credit — double the ten a normal video needs
3 credits
what one export costs, only past that allowance, out of the same balance as the minutes
any length
no cap on a single recording — a long one is windowed to fit whatever is left of the plan
8 GB
the largest file accepted — mp4, mov, mkv or webm
0
clips rendered before you approve them
One analysis, several deliverables

Repurposing is mostly the same file wearing different shapes

The transcript and the ranked moments are read once and cached against the source. Coming back for a different shape, a different caption style, or a wider pick of moments reads no new minutes.

Five shapes off one recording

Boxed 1:1, Full 9:16, Cam bubble, Face over screen or The whole picture — chosen per clip, so the same moment can leave one way for a Short and another where the full picture matters. Cam bubble and Face over screen only appear where a camera was actually found in the frame.

Two caption treatments

Words behind the speaker, matted out from the picture — for the boxed square only — or karaoke, highlighted word by word off the transcript.

Looking again costs nothing

Ask for six moments today and twelve next week from the same recording, or turn the intro detection off and re-run the pass — the cached transcript pays for all of it. Only a fresh transcription is billed a second time.

Where it stops

It hands you the clip, not the posting

The calendar holds a date, not an upload. You can plan a clip onto a day, name the platform, and mark it published afterwards yourself, with the link, once it is actually live. The one rule it enforces is a single distinct clip per day per account — the same clip going out to three platforms that day is one piece of content, not three.

There is no account connected to post through. The route that stores a calendar entry has no field for a password or a token, because it never calls another platform’s API on your behalf. The finished file leaves your library the moment you download it, and the upload — to TikTok, Instagram, YouTube, wherever the clip is going — is a thing you do.

What the vertical export looks like
Start to finish

How one recording becomes a week of clips

You are needed for one decision, repeated as many times as the recording gives you material for: keep it, or pass.

01

Give it the recording

Paste the YouTube address or upload the file — mp4, mov, mkv or webm, up to 8 GB. A link asks you to confirm you have the rights to use it before anything starts.

02

It reads it once

Transcribed, the intro excluded, then ranked in parallel windows across the whole length — however long it runs, since there is no cap on a single video any more.

03

You go through the candidates once

Each arrives with its four scores, its timecodes and the sentences it was built from. Keep several, pass on the rest.

04

Pick a shape per clip, or set one for all

A saved preset carries the two standing shapes — Boxed 1:1 and Full 9:16; the other three are offered per clip, only where a camera was actually found.

05

Export each one

A rendered MP4, or the cut alone as an XML timeline / CMX3600 EDL if you are finishing the look somewhere else.

06

Put a date on it, if that helps

The calendar remembers which clip goes out when and lets you mark it published — it does not post anything, and it is not required to export.

For the ones finished elsewhere

Or leave with the cut, not the look

Repurposing often means a different look per platform on top of the same cut — a caption style someone else already owns, a brand template already built in Premiere. A clip can leave as an XML timeline or a CMX3600 EDL instead of a rendered file: the in and out points, and the pieces a moment is assembled from if it needed more than one, on the source’s own frame rate.

What does not travel is the look. The composited text, the karaoke, the frame that follows whoever is talking — those are decided per frame by this product’s own renderer, not something an NLE can hold as a static crop. That is the actual audience for this half: someone who wants the finding done here and the finishing done in their own tools, not a missing feature.

What stays here versus what travels

A free way to try repurposing one recording

30 credits, once, with no card — a credit is a minute of source read, so that is thirty minutes of video, and ten clips are included. Trial exports carry a small mark and are kept for seven days; no paid plan marks anything.

Questions people ask first

What does repurposing one recording actually cost?

Minutes of source analysed — one credit a minute, whatever plan you are on. Exports draw from the same balance, but only past a pool built into every plan at double normal use: 80 rendered clips a month on Starter, 220 on Creator, 540 on Studio. A recording turned into several clips almost never reaches that pool, so the meter you actually feel is the one on the minutes.

Do the second and tenth clip from the same recording cost extra?

Not for the way repurposing actually uses this. Every plan’s clip allowance is sized at twice what a normal video needs, and it is a monthly pool rather than a per-video cap — so turning one recording into two clips or into ten spends nothing extra as long as you are inside it, which most repurposing plainly is. Only exporting far beyond typical use, across everything you have analysed that month, starts drawing 3 credits per clip from the same balance the minutes come from.

Does it post the finished clips to TikTok, Instagram or YouTube for me?

No. There is no connection to any platform for posting, and no password or token is ever asked for. A publishing calendar can hold a date and a platform name for a clip, and you mark it published yourself once it is live, with the link — the file still leaves from your library and the upload is yours to make.

Can I take just the cut and finish the look somewhere else?

Yes. A clip can leave as an XML timeline or a CMX3600 EDL for Premiere or Resolve instead of a rendered file. It carries the in and out points, not the captions or the reframing — those are built per frame by this product’s own renderer and do not travel to an NLE.

Is there a limit on how long the source recording can be?

Not any more. A single video can run any length; a long one is windowed to fit whatever credits are left on the plan rather than refused outright. The limit that remains is the file itself — up to 8 GB for an upload.

Is there a free way to try repurposing one recording?

30 credits once, with no card — a credit is a minute of source analysed, so that is thirty minutes of video and ten rendered clips included. It does not renew. Trial exports carry a small mark and are kept for seven days.

One upload this week, and the rest of the clips are already paid for